From the beginning, the approach of iXième has been pluralistic.

Apart from the idea to share with the public the subjective derivation of a modern prisoner in an invisible prison plus the questions raised about the limits of freedom, the film’s ambition is to create a field of poetic vision consisting of images, sound, words, and music. By exploring his daily life and immediate environment, this commonplace prisoner chances upon a deeper sense and a reinvigoration of life.

iXième results out of a creative process in which the various sound, visual and textual elements were permanently put into resonance between each other, without any preconceived hierarchy and motivated by the only concern of responding to a global approach that strives for a composition subtly blended by music, images and dialogues.